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Limited Edition 12" Ep now available for preorder from one of our in house labels 4Q-HQ
Limited Edition 12" Ep now available for preorder from one of our in house labels 4Q-HQ
Torn Light Records
356 Ludlow Avenue
Cincinnati, OH 45220
513-873-6995
Monday - Saturday
11:00AM - 07:00PM
Sunday
CLOSED
Showing all 21 results
*Max Nordile (Preening, Violence Creeps, Uzi Rash, et al.) tosses Gilgongo 30 minutes of trudging, free-form sprawl that draws unassuming and collateral reference points (in the label’s [...]
This has barely left the turntable since our order came in from James Fella. One of the best No Wave/Post Punk records I have heard in years. Clanging guitars, free improv interludes & [...]
Gilgongo Records presents the highly anticipated debut vinyl edition of John Wiese’s acclaimed album, Seven of Wands. Uniquely beautiful, immersive, and transportive, it utilizes strategies and [...]
LP includes a 25 page full-color art booklet. Amorphous and perplexing, Jules Litman-Cleper’s work as Waxy Tomb can incidentally incite a notion of chaos or randomness in the foreground while [...]
The work of John Collins McCormick straddles sculpture and music by using sound as material to highlight the ability of sound to change scale through visual and sonic rhythms and textures. What [...]
Finally available again with new cover art and now packaged in a proper, high-gloss, jacket! ***original description: “RAW, GLITTERING, PSYCHEDELIC … OLIVIA NEUTRON-JOHN, is a [...]
Recorded during Ina/GRM’s 2016 Présences Électronique Festival in Paris, John Wiese’s “Escaped Language” is a concise and calculated piece which slowly evolved in various settings over a number [...]
On vinyl for the first time, the 2006 debut full length from Vancouver?s SHEARING PINX, ?Poison Hands?, was originally released as a 2×3″ CDr on Not Not Fun and CD on Gilgongo. This collection of [...]
Originally released as a tour cassette on Monorail Trespassing, Eleventh Hour features two side-long tracks that serve as excellent examples of the diverse sounds Pedestrian Deposit use to [...]
“Inactive Parts” was a December 2014 installation at The Trunk Space in Phoenix, AZ consisting of paintings, screen printed xerox pieces, lathe cut 7″ records and two sets of [...]
Gerald Biggs developed Filthy Grin as a living sound journal to document explorations in the sonification of sculpture and body movement. Currently located in Montreal, over the past decade he [...]
Two months after the recent ‘Aerosol Can Stand’ 7”, James Fella’s long-running group Soft Shoulder returns with 10 tracks recorded throughout 2018-2019 at various live performances, at their [...]
Is the Belly / In the Belly: an old fashioned “jam session” with a deep but distant, natural room sound. Fluttering alto sax and calm, staccato trumpet slowly find their way: spelunking towards a [...]
41 tracks of scathing, cautiously partitioned short bursts of truly obliterated hardcore—redefining “raw punk”, and an even more destructive force than the already harsh and damaged [...]
Gilgongo Records is pleased to announce “Continuous Hole”, a collaborative album by Drew Daniel and John Wiese. The fruit of over ten years of home recordings in San Francisco, Los Angeles and [...]
While the hypothetical range of what the listener might expect from a record of free-improvised guitar playing is understandably gigantic, it’s not very often that what is heard so easily [...]
While it’s relatively easy to refer to Sandy Ewen’s use of guitar as unconventional or abstract, the true nature of her work is much more exploratory in nature. The instrument functions as a [...]
Ace Farren Ford, Dennis Duck, and Ju Suk Reet Meate (three original members) are joined by Rock ’N’ Roll Jackie (35 years in the band), John Wiese (approximately 10 years), and a cast of others [...]
Uncompromising large ensemble studio recordings from Los Angeles, 2016: John Wiese, Charlie Mumma, Bill Nace (Vampire Belt, Body/Head), Martin Escalante, Ted Byrnes, and elders of the Los Angeles [...]
Weak Left Input” LP (GGGR-070, September 2014): Two improvised and unedited pieces focusing on meandering / overlapping electronics, guitar and tape noise. Over an hour of material ranging [...]
Bedroom music” as a genre is perhaps questionable, and yet when first hearing the cassette that these songs were originally released on, this was the thought that I was fixated on. Mia’s music [...]