Torn Light Records 356 Ludlow Avenue Cincinnati, OH 45220 513-873-6995
Monday - Saturday 11:00AM - 8:00PM Sunday 11:00AM - 5:00PM
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Tabloid formed in Northern California in 2011 exploring growing repetition and sustained tones. It is comprised of Philip Geraldi (Shock Tropics, Mystics in Bali) and Luke Molloy (Piles, Anxient Demond).
“Patrick Cowley was one of the most revolutionary and influential figures in the canon of electronic dance music. Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco in [...]
“Konstruktivists is the Industrial project of Glenn Michael Wallis from Kent, England. In the late ’70s Wallis was a “control agent” for Throbbing Gristle and the Industrial Records crew. [...]
Even in this age of near-total Internet accessibility, Charlie Megira is a modern mystery. A casual search turns up little aside from a few cryptic articles. His brief career unfolded during a [...]
“London Records present the first vinyl reissue of Happy Mondays‘ Squirrel And G-Man Twenty Four Hour Party People Plastic Face Carnt Smile (White Out), originally released in 1987. [...]
Reissue of 8 classic JD tracks from the legendary JOHN PEEL program. Cuts are “EXERCISE ONE”, “INSIGHT”, “SHE’S LOST CONTROL” “TRANSMISSION”, [...]
“A winsome and dizzying spin on disco pop, recorded in westernized Iran during the last moments before the 1979 revolution. All but criminalized in the wake of Ayatollah Khomeini’s [...]
A powerhouse pairing of pioneering ensembles of improvised music! Los Angeles Free Music Society titans Airway and Japanese icons Hijokaidan energetically tear through two discs of [...]
An anti-fidelity swarm of hysteric helltrash by Phil Blankenship, Jesse Jackson, Charlie Mumma, Corydon Ronnau, and John Wiese. Cruel sickness, vicious vocal retch, and a blinding squall of [...]
Recorded on a dark and lively night at Studio 1/4 in Los Angeles, Andy Bolus’ cadaverous murk combines with Joseph Hammer’s reel-to-reel jitters and John Wiese’s electronic jolts to veer from [...]
You could refer to this as a “meeting of the minds” – and it’s also like, the hundreth good noise/experimental CD to come out this year. It’s the concrete Wiese edit [...]
This greatly expanded performance journal has more dates, more locations, more names, and more back stories than any other attempt at cataloging the immeasurability of the history of GX & The [...]