Sometimes you have to think big, and when I was finally able to release an unearthed The Cherry Point recording I saw no option but to pair Phil Blankenship’s long-form maelstromic exhumation with two of the finest contemporary noise-makers: Hostage Pageant’s body tackling harsh noise, and the dynamic finesse and laser cut-up precision of Kazuma Kubota. It’s been a long time in the making, but I am so very proud of the chance to work with these artists, and release this material.
Three artists across 53 minutes, CD in an edition of 200 copies with artwork by Jonathan Canady.
Finally here from Lasse Marhaug: Personal Best 8. My favorite zine around. Always a worldwide affair, a zine that felt familiar to me the first time I picked up a copy. Since it is the bane of my [...]