“Come When The Raven Calls is the second album by Suzanne Langille and Neel Murgai after more than two decades performing together. Langille fuses the rawness of American spiritual blues [...]
Vinyl debut, after a string of tapes and lathes, and a CD issue of the first release. Oil Thief deftly straddles the treriksroset between industrial, noise and techno while giving […]
Gerald Biggs developed Filthy Grin as a living sound journal to document explorations in the sonification of sculpture and body movement. Currently located in Montreal, over the past decade he [...]
“Silvia Tarozzi, inspired by the poet Alda Merini and her studies with composer Garret List, worked with intimate personal history to write songs of love, motherhood, and the mystery hidden [...]
“On their first album together since Maze of Woods (2015), Matthew Robert Cooper (Eluvium) and Mark T. Smith (Explosions in the Sky) further their creative curiosities as Inventions. [...]
“Inactive Parts” was a December 2014 installation at The Trunk Space in Phoenix, AZ consisting of paintings, screen printed xerox pieces, lathe cut 7″ records and two sets of [...]
Veteran noisemakers Spunt & Wiese debut as collaborators by drawing from the rumble and crash of Dean’s drumkit, finding dimensions of hiss and crunch on beyond his No Age style. […]
When placed next to each other, dueling concerns enrich each other and push the envelope into new, newer, and newest envelopes of a different color. Step inside this magnetic garden […]
begin form here… begin from here…our world lives when their world ceases to exist begin from here…with hopes, between silent skies, while world breathes again and the fever [...]
What our staff has to say: “Fever dream experimental guitar with an array of other instruments that are all completely abstracted. Uneasy listening.” – Hannah Using the [...]
For their sophomore effort/Drag City debut, the enigmatic duo expand into eight-armed wonder; all the better to reach ever-deeper into their bag o’ tricks. Slinky and sliding elegantly, the [...]
The first thing I remember about the recording of Bright Flight is that when we opened the door to Hum Depot’s roller rink of a basement studio, the console was […]