Weak Left Input” LP (GGGR-070, September 2014): Two improvised and unedited pieces focusing on meandering / overlapping electronics, guitar and tape noise. Over an hour of material ranging [...]
Gerald Biggs developed Filthy Grin as a living sound journal to document explorations in the sonification of sculpture and body movement. Currently located in Montreal, over the past decade he [...]
Vinyl debut, after a string of tapes and lathes, and a CD issue of the first release. Oil Thief deftly straddles the treriksroset between industrial, noise and techno while giving […]
Gilgongo Records is pleased to announce “Continuous Hole”, a collaborative album by Drew Daniel and John Wiese. The fruit of over ten years of home recordings in San Francisco, Los […]
Debut from this Belgian duo. Like the dark solitary figure which adorns the cover, NDE are shrouded in mystery and desolation. No website. No social media. No contact details. The […]
Monolithic Undertow alights a crooked path across musical, religious and subcultural frontiers. It traces the line from ancient traditions to the modern underground, navigating archaeoacoustics, [...]
“The most immediately noticeable aspect of …And Justice for All isn’t Metallica’s still-growing compositional sophistication or the apocalyptic lyrical portrait of a [...]
“Kill ‘Em All may have revitalized heavy metal’s underground, but Ride the Lightning was even more stunning, exhibiting staggering musical growth and boldly charting new [...]
“Even though Master of Puppets didn’t take as gigantic a leap forward as Ride the Lightning, it was the band’s greatest achievement, hailed as a masterpiece by critics far [...]
“The true birth of thrash. On Kill ‘Em All, Metallica fuses the intricate riffing of New Wave of British Heavy Metal bands like Judas Priest, Iron Maiden, and Diamond Head […]