Machine in the Studio: Constructing the Postwar American Artist
Only 1 left in stock
$16.00
Taking a fresh look at the art world of the 1960s, Caroline Jones argues that far from the countercultural stance associated with the decade, the artists she examines—including Stella, Warhol, and Smithson—identified their work with postwar industry and corporate culture. Drawing on extensive interviews with artists and their assistants as well as close readings of artworks, Jones explains that much of the major work of the 1960s was compelling precisely because it was central to the visual and economic culture of its time.
This book is in Good readable condition. It has been read and may show some age & wear to the wraps/boards, or light creasing/wear to the pages. The binding may show very minimal wear, or be fully intact. Generally, most wear will solely be superficial.
*This came from a former professor’s collection, who used low-tack post-it notes to bookmark/annotate his books. Most of them have been removed, however it is possible that a stray few were overlooked. If this is the case, they are both unobtrusive and easily removable. Additionally, there may be annotations. In most, however not all cases, they are solely in the introduction/foreword. Any clarifying questions should be emailed to tornlight@gmail.com*
*Image in the listing is stock. There may be variation in the actual product.
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