Art As Spiritual Activity: Rudolf Steiner’s Contribution to the Visual Arts

“Through the introduction by Michael Howard and Steiner’s ten lectures, this volume offers an account of the sources and purposes of art, as well as a particularly helpful approach to art as a spiritual practice. So, far from being dated, Steiner’s account of art and its relation to spiritual experience is at least contemporary and probably ahead of its time. As this book ably shows, Steiner’s insights concerning art, particularly when approached and practiced as a spiritual activity, might be exactly what art, artists, and contemporary culture urgently need.” ―Robert McDermott (from the foreword)

Seeing his task as the renewal of the lost unity of science, art, and religion, Rudolf Steiner created in the worldview he called Anthroposophy a new, cognitive scientific and religious art, the implications of which―recognized by such divergent artists as Wassily Kandinsky and Joseph Beuys―are only now becoming fully apparent. Art as Spiritual Activity includes a comprehensive, thought-provoking introduction of more than a hundred pages by Michael Howard, who writes:

“The most fundamental issue for arts today…is the spiritual foundation of arts…. Steiner demonstrates that our individual creative activity is not solely a personal affair. Our creations do not originate out of nowhere, nor solely out of ourselves, but from an objective world of spirit with which we are intimately related in the depths of our being. He shows that our creations have significance beyond ourselves and beyond the recognition they receive: works of art are vehicles of spiritual qualities. In bringing these spiritual qualities into the sphere of human life, the artist becomes responsible for the spiritual effects the work of art has on the artist, other people, and ultimately on human evolution.”

Art as Spiritual Activity introduces a new way of thinking about, looking at, and creating art.

This book is in Good readable condition. It has been read and may show some age & wear to the wraps/boards, or light creasing/wear to the pages. The binding may show very minimal wear, or be fully intact. Generally, most wear will solely be superficial.

*This came from a former professor’s collection, who used low-tack post-it notes to bookmark/annotate his books. Most of them have been removed, however it is possible that a stray few were overlooked. If this is the case, they are both unobtrusive and easily removable. Additionally, there may be annotations. In most, however not all cases, they are solely in the introduction/foreword. Any clarifying questions should be emailed to tornlight@gmail.com*

*Image in the listing is stock. There may be variation in the actual product.