Originally released as a tour cassette on Monorail Trespassing, Eleventh Hour features two side-long tracks that serve as excellent examples of the diverse sounds Pedestrian Deposit use to construct their work. There are moments of somber melody, near silence, electro-acoustic assembly, drone and harsh noise. The material is dynamic and extreme, at time in regards to restraint and at others in terms of volume and catharsis.
Uncompromising large ensemble studio recordings from Los Angeles, 2016: John Wiese, Charlie Mumma, Bill Nace (Vampire Belt, Body/Head), Martin Escalante, Ted Byrnes, and elders of the Los Angeles [...]
Finally here from Lasse Marhaug: Personal Best 8. My favorite zine around. Always a worldwide affair, a zine that felt familiar to me the first time I picked up a copy. Since it is the bane of my [...]