Belgrade-based artist Zhe Pechorin makes her Noir Age debut with “Signs,” a seasoned burrow below the soils of contemplation, suspended synths swaying with the ether, against a [...]
“There’s something life reaffirming about each Ted Byrnes release. The intensity of his playing is ejaculatory and joyful. His recordings are intimate, and every time I hear them I [...]
For more than 25 years Alan Bloor, the architect of Knurl, has been forging a singular approach to sound without rivals or imitators. Sensory Eradication was recorded in 1998 but […]
Laura Muñoz’s Chucha project has been responsible for a healthy chunk of the freshest, most mind-bending live sets I’ve seen since she began playing live in 2016; each performance [...]
Stuntwoman”/“Wavelengths,” the premier single from Chicago’s Death Valley, breathes a shimmering life into the often staid hypnagogic synth pop movement. The single delivers a synthwave flayed to [...]
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Lasse Marghaug’s magazine Personal Best is back! Issue number 9 will be in hand and shipping mid to late June. Still my favorite magazine around. Issue 9 features interviews with […]
Ships prior to release date of 9/29/2023. Zach Rowden’s new album, titled “No Middle Without The Beginning”, radiates the current musical concrete. Two pieces, each spanning a [...]
La Monte Young / Marian Zazeela – Dream House 78’17”
Release Date: 3/22/24. Will ship on or around to release date. Originally released in 1974 on Shandar, Dream House 78’17” is the second full-length album by La Monte Young and […]
Glas “One” CDr is a 39 minute piece of atmospheric synth music. Noise, improvisations & modular rhythms. Leaning close to midnight movie amateur gazings & drugged out early [...]
Released by Incheon Art Platform in Korea. “This is also connected with exorcism. In the ruling system of medieval religion and politics, demons, devils, etc. were treated as viruses that [...]
Cloud Shadows is the third album by the American gamelan composer, Daniel Schmidt. The pieces in Cloud Shadows, which are quite varied and more current than the work represented on […]