This is the second installment in a series of albums produced by John Wiese using an expanded ensemble of recorded sound contributions with AARON DILLOWAY JOE POTTS T. MIKAWA […]
Upon engaging with these composite audio images rendered from the details reported, the listener becomes the 138th citizen. Left to ponder are the same questions that plagued citizens 1-137. Not [...]
After twenty six years, Canada’s godfather of amplified scrap metal proves he is not letting up. Initially established in the mid-90s (with encouragement and support from Joe Roemer and [...]
“Exclave” is the debut of NYC-based duo Cryocene, comprised of Stefan Aune (Kjostad) and Matt Boettke (Scant). Over the course of 5 tracks Cryocene weave together an ominous landscape [...]
Wasteland Jazz Unit presents a mind-frying monolith of brain-scrambled haze and searing screech bursting forth from the psychic fog of Cincinnati’s Jon Lorenz (sax, electronics) & John Rich [...]
Lasse Marghaug’s magazine Personal Best is back! Issue number 9 will be in hand and shipping mid to late June. Still my favorite magazine around. Issue 9 features interviews with […]
Ships prior to release date of 9/29/2023. Zach Rowden’s new album, titled “No Middle Without The Beginning”, radiates the current musical concrete. Two pieces, each spanning a [...]
La Monte Young / Marian Zazeela – Dream House 78’17”
Release Date: 3/22/24. Will ship on or around to release date. Originally released in 1974 on Shandar, Dream House 78’17” is the second full-length album by La Monte Young and […]
Glas “One” CDr is a 39 minute piece of atmospheric synth music. Noise, improvisations & modular rhythms. Leaning close to midnight movie amateur gazings & drugged out early [...]
Released by Incheon Art Platform in Korea. “This is also connected with exorcism. In the ruling system of medieval religion and politics, demons, devils, etc. were treated as viruses that [...]
Cloud Shadows is the third album by the American gamelan composer, Daniel Schmidt. The pieces in Cloud Shadows, which are quite varied and more current than the work represented on […]