Blistering new scorch from the uncompromising Form Hunter duo of S. Aune (Breaking the Will, Kjostad) and W. Czerkies (Sunken Cheek, Goddaughter) that steamrolls scrap metal, splintered hiss and [...]
Jagged waves of shrieking shatter from the dueling guitars of Aaron Hemphill and Jarrett Silberman. Excavated from the deep archives of the mid-2000s Los Angeles explosion, Count to One shows [...]
After twenty six years, Canada’s godfather of amplified scrap metal proves he is not letting up. Initially established in the mid-90s (with encouragement and support from Joe Roemer and [...]
1996 release. Originally released on Lovely Music as Pulsers / Untitled in 1984. This re-release includes an additional piece from David Tudor, Phonemes. Pulsers explores the world of rhythms [...]
This is the second installment in a series of albums produced by John Wiese using an expanded ensemble of recorded sound contributions with AARON DILLOWAY JOE POTTS T. MIKAWA […]
Lasse Marghaug’s magazine Personal Best is back! Issue number 9 will be in hand and shipping mid to late June. Still my favorite magazine around. Issue 9 features interviews with […]
Ships prior to release date of 9/29/2023. Zach Rowden’s new album, titled “No Middle Without The Beginning”, radiates the current musical concrete. Two pieces, each spanning a [...]
La Monte Young / Marian Zazeela – Dream House 78’17”
Release Date: 3/22/24. Will ship on or around to release date. Originally released in 1974 on Shandar, Dream House 78’17” is the second full-length album by La Monte Young and […]
Glas “One” CDr is a 39 minute piece of atmospheric synth music. Noise, improvisations & modular rhythms. Leaning close to midnight movie amateur gazings & drugged out early [...]
Released by Incheon Art Platform in Korea. “This is also connected with exorcism. In the ruling system of medieval religion and politics, demons, devils, etc. were treated as viruses that [...]
Cloud Shadows is the third album by the American gamelan composer, Daniel Schmidt. The pieces in Cloud Shadows, which are quite varied and more current than the work represented on […]