“Official reissue of seminal Japanese Hardcore band THE COMES debut. Originally released in 1983 on Dogma Records, a newly created City Rocker’s side label to release Hardcore/ Hard punk) [...]
“On October 4th Erased Tapes present Handfuls of Night — the highly anticipated follow-up to Penguin Cafe’s much applauded 2017 album The Imperfect Sea — inspired by the Antarctic, Arthur [...]
“The story of the passenger liner MS Scandinavian Star stays adrift. Tragic and complex, the details are out there in the electronic ozone, still yet to find closure. From sea […]
Stuntwoman”/“Wavelengths,” the premier single from Chicago’s Death Valley, breathes a shimmering life into the often staid hypnagogic synth pop movement. The single delivers a synthwave flayed to [...]
“The early 1980s was a formative time for a wide variety of outstanding unique music coming out of Phoenix, Arizona. Experimental DIY, punk, prog rock, noise, comedy, jazz was all […]
“Horace Swaby, known as Augustus Pablo, was a Jamaican roots reggae and dub record producer, melodica player, and keyboardist. In addition to popularizing the use of melodica in reggae [...]
First ever compilation of the deep ’60s soul from Jetstar, including Alder Ray Mathis’ Northern Soul stepper ‘Take Me Baby’! Featuring previously unissued tracks from [...]
A sonic snapshot of America’s steel capital, developed in the prosperous cavern between the departure of the Jackson 5 to Motown and the collapse of U.S. Steel, Skyway Soul is […]
After the fall of the Deep City label, Rocketeers bandleader Frank Williams set up shop under the name of his twin daughters Saadia and Giwada and got to work reinventing […]
Operating in a basement studio at the confluence of the Mississippi and Missouri rivers, pipeline man Howard Neal and his appropriately named Shoestring label was Alton, Illinois’ answer to [...]
Arp Frique returns with a new album after a string of releases, leaving the cratediggers and dancefloor tastemakers with underground classics like Nos Magia, Voyage and Nyame Ye. On ”Analog [...]