No products in the cart.
Torn Light Records
356 Ludlow Avenue
Cincinnati, OH 45220
513-873-6995
Monday - Saturday
11:00AM - 07:00PM
Sunday
CLOSED
Torn Light Records
356 Ludlow Avenue
Cincinnati, OH 45220
513-873-6995
Monday - Saturday
11:00AM - 07:00PM
Sunday
CLOSED
In stock
$16.00
Wayne Robert Thomas is an Indianapolis based musician who composes drones like sculpting in wet cement, each movement turning slowly upwards while simultaneously being locked into time and space. His first appearance on vinyl, Wayne Robert Thomas’s deeply felt composition “Voyevoda” utilizes processed electric guitar to fill all available space with lofty and spacious tones that lose nothing of their clarity as the float up to the rafters before settling back down to the nave. A stirring counterpoint Dunn’s composition, “Voyevoda” keenly examines one’s fidelity to unconquerable nostalgia.
| Genre | |
|---|---|
| Record Label |
| Categories | LP |
|---|---|
| Tags | Fantastique |
| Stock Level | In stock |
“In 1974 Ana Mazzotti recorded her first album Ninguem Vai Me Segurar (1974), enlisting the in-demand arrangement talents of Azymuth’s original keyboard maestro Jose Roberto Bertrami who [...]
London Records present a reissue of Happy Mondays’… Yes Please!, originally released in 1992. The last Happy Mondays album on Factory Records – reaching no. 14 in the UK chart. [...]
“London Records present the first vinyl reissue of Happy Mondays‘ Squirrel And G-Man Twenty Four Hour Party People Plastic Face Carnt Smile (White Out), originally released in 1987. [...]
“Photonz is the alias of Marco Rodrigues a DJ, producer and driving force of Lisbon’s underground scene. For little over a decade now, he’s been crafting his own deeply personal [...]
After gate-crashing the Britpop party in 1996 with The First Big Weekend , Arab Strap went on to produce eight albums (six of them on Chemikal Underground) over a period of 10 years. Reflecting [...]
Reissue of 8 classic JD tracks from the legendary JOHN PEEL program. Cuts are “EXERCISE ONE”, “INSIGHT”, “SHE’S LOST CONTROL” “TRANSMISSION”, [...]
As part of Whited Sepulchre’s 4 x LP release in June, Cincinnati experimental electronic artist Andrew Elaban brings his wide-screen conduction of chance connections and orchestrated unfolding of [...]
Is there a definitive song about Cincinnati? One that truly captures the fraught relationship with being a city both out of time and place? A Midwestern Rust Belt straddling the Southern border [...]
Bless whatever cosmic winds brought together this split between NYC guitarist and composer Ezra Feinberg and multi-instrumentalist John Kolodij. Traveling deep blue highways of the mind, their [...]
The Fairchild OST and Border Land EP are works that Chicago-based Jordan Reyes conceived as two distinct projects, however, as they were written and conceived it was clear they were cut from the [...]
Chaz Prymek’s ongoing Lake Mary project transcended the boundaries of a mere solo project long ago, having evolved into an ever-shifting collective of like-minded artists, performers and [...]
On Fog Mirror, SLC based musician Braden McKenna, has crafted a weighted, textural album of architectural drone punctuated with stirring washes of crackling static and arcing tones that gather [...]
Lucrecia Dalt dissolves herself into sound on No era sólida, a suspended auditory illusion guided by unconscious murmurs, cosmic oscillations, and unpredictable percussion. No era sólida is a [...]
“Inactive Parts” was a December 2014 installation at The Trunk Space in Phoenix, AZ consisting of paintings, screen printed xerox pieces, lathe cut 7″ records and two sets of [...]
As part of Whited Sepulchre’s 4 x LP release in June, Cincinnati experimental electronic artist Andrew Elaban brings his wide-screen conduction of chance connections and orchestrated unfolding of [...]
Gerald Biggs developed Filthy Grin as a living sound journal to document explorations in the sonification of sculpture and body movement. Currently located in Montreal, over the past decade he [...]
ant’lrd, the name given to Colin Blanton, is responsible for scores of moving synth-landscapes of obscured inputs and high cloud ceilings. For Sleep Drive, Blanton called on Odd Nosdam [...]
I’d Rather Be Lucky Than Good is a new recording collaboration of Sam Ashley and Werner Durand. Sam Ashley’s mystic parables imbued with benevolent humor are drawn from a lifelong [...]
FANTASTIQUE