A sunken cathedral is exactingly excavated by Tokyo-based Joe Fujinoki on his debut album 𝑊𝑎𝑡𝑒𝑟𝑖𝑛𝑔 𝑡ℎ𝑒 𝑆𝑡𝑒𝑒𝑙 𝐹𝑙𝑜𝑤𝑒𝑟𝑠. Glittering shards of glass and metal drifting on deep ocean currents cast vague illuminations upon eroding concrete structures. An occasional glimpse of sunlight filters through the depths, suspended by bubbling hydrothermal vents. Fujinoki creates a series of gestures blurring texture and rhythm, an analog balm for the colloid of post-industrial aches.
written & produced by Joe Fujinoki audio finalized by Glyn Maier artwork by Joe Fujinoki design by RJM Vanderheyden
Torba is Mauro Diciocia, an Italian soundworker based in Berlin. As with fellow countrymen Lettera 22, elements of musique concrete, noise composition and electro-acoustic tape music are fused to [...]
Beginning with Aemae and now working under his own name, Brandon Nickell has spent the last decade taking cues from nearly all generations of analog and digital sound development and shaping them [...]
2nd edition ‘Noise’ as it has come to be known has reached an apex. Or perhaps more accurately, has surpassed its apex. The forms, traditions, and expectations inherent in abstract sound design / [...]
Josh Landes (Limbs Bin) first release under his own moniker, and not the latter. An unmasking of a somehow familiar character, Provincial Electronics is a soliloquy for the burnt but still sharp. [...]