Edition of 200 copies, with printed inner sleeve. Great sound performance held at with an introduction by Charles Amirkhanian. Enzo Minarelli is one of the most significant sound poets of our time. First and foremost, he is a distinguished, important, even profound creative artist. His body of work, which he most appropriately terms “poly-poetry”, includes not only conventional sound poetry, but also embraces inter-media sound poetry (his performances frequently include slide projections, musique concrete and the use of instruments and noise/sound emitting objects), concrete poetry or what Minarelli calls “phono-graphies”, visual art works utilizing the written word and images associated with music and geometry, video poetry, and performance art.
**edition of 300 copies** Willem the Ridder (1939) is a prolific storyteller, cassette freak and Fluxus artist. George Maciunas made him chairman of Fluxus for Northern Europe and in this role he [...]
Finally here from Lasse Marhaug: Personal Best 8. My favorite zine around. Always a worldwide affair, a zine that felt familiar to me the first time I picked up a copy. Since it is the bane of my [...]
Josh Landes (Limbs Bin) first release under his own moniker, and not the latter. An unmasking of a somehow familiar character, Provincial Electronics is a soliloquy for the burnt but still sharp. [...]