Peshekhod, the debut album from Dima Pantyushin & Sasha Lipsky, oscillates through an immaculate synth-pop ecosystem in which every shift feels both accurate in it’s absurdity and divinely danceable. A window into the inner life of a wandering Muscovite, Peshekhod is a picaresque in miniature, a record that explores the stations of the day in deft detail with a distinctly dry Russian wit.
“Yves Bouliane studied double bass with Roland Desjardins at the Montreal Conservatory in the early 1970s. Not yet twenty, he had been improvising with Robert M. Lepage since 1969. [...]
die Reihe is the moniker of NYC based composer and sound engineer Jack Callahan. Taken from the journal edited by Herbert Eimert and Karlheinz Stockhausen, die Reihe makes work that […]
Boychoir is the band’s second LP, and first for the experimental label Whited Sepulchre (Midwife, Planning For Burial, Forest Management). Recorded at Cincinnati’s historic Ultrasuede [...]
After multiple lauded album-length cassettes, ‘Adaptive Emotional Use’ is the first true album from Toronto-based Death Kneel. Several years in development, ‘Adaptive Emotional Use’ is a [...]
Peshekhod, the debut album from Dima Pantyushin & Sasha Lipsky, oscillates through an immaculate synth-pop ecosystem in which every shift feels both accurate in it’s absurdity and [...]
What our staff has to say: “I love this record. Shine takes you to the UK’s dreamy haze in the 90’s Creation Records, My Bloody Valentine, Chapter House. Shoegaze that […]
Still reeling from the gut-punch of the distortion filled lead single “Vale” released earlier this year, many of us wondered what a full-length LP by the Denver based artist would […]
I don’t need no southbound highway sign to tell me HELL IS REAL”. This opening line from the debut single “New Tongue” launches us into the sophomore album Glass Fate […]
As I was reviewing V3’s cycle of works from early 1986 to the end of Roxanne Newman’s’ tenure in late 1991, I became increasingly flabbergasted at the band. At the […]
As I was reviewing V3’s cycle of works from early 1986 to the end of Roxanne Newman’s’ tenure in late 1991, I became increasingly flabbergasted at the band. At the […]
As I was reviewing V3’s cycle of works from early 1986 to the end of Roxanne Newman’s’ tenure in late 1991, I became increasingly flabbergasted at the band. At the […]