Recorded on a dark and lively night at Studio 1/4 in Los Angeles, Andy Bolus’ cadaverous murk combines with Joseph Hammer’s reel-to-reel jitters and John Wiese’s electronic jolts to veer from sonic claustrophobia to audio manipulation wipe-out across a thirteen track cocktail of stumbling hiss, voltage-impinged oscillations, and tangles of oozed-out blurt and whirling, chirping lurch. Featuring exquisite full color artwork by Sayo Mitsuishi and extensive liner notes by Bananafish’s Seymour Glass.
Full circle. A new project from Jonathan Borges (Pedestrian Deposit, Everyday Loneliness, Emaciator, etc). After several years of operating in more subtle areas of experimental music, Vasculae is [...]
Active for nearly 40 years, Incapacitants are without a doubt one of the best noise groups of all-time. The duo of T. Mikawa and F. Kosakai are legendary for their chaotic recordings and over the [...]