Recorded on a dark and lively night at Studio 1/4 in Los Angeles, Andy Bolus’ cadaverous murk combines with Joseph Hammer’s reel-to-reel jitters and John Wiese’s electronic jolts to veer from sonic claustrophobia to audio manipulation wipe-out across a thirteen track cocktail of stumbling hiss, voltage-impinged oscillations, and tangles of oozed-out blurt and whirling, chirping lurch. Featuring exquisite full color artwork by Sayo Mitsuishi and extensive liner notes by Bananafish’s Seymour Glass.
Wayne Robert Thomas is an Indianapolis based musician who composes drones like sculpting in wet cement, each movement turning slowly upwards while simultaneously being locked into time and space. [...]
A vortex of psychedelic shimmer and swirling whiteout recorded live at Theatre POO on July 27, 1992 by trailblazing Japanese icons C.C.C.C. (Cosmic Coincidence Control Center), featuring the core [...]
Finally here from Lasse Marhaug: Personal Best 8. My favorite zine around. Always a worldwide affair, a zine that felt familiar to me the first time I picked up a copy. Since it is the bane of my [...]
Active for nearly 40 years, Incapacitants are without a doubt one of the best noise groups of all-time. The duo of T. Mikawa and F. Kosakai are legendary for their chaotic recordings and over the [...]